Oak Man

I am the voice inside an acorn.
I wear a cup shaped hat.
I tip it when I please.
I chatter in the hands of squirrels.
I buzz in wasps.
I whisper with the bolete.
I sleep. I spring.
I am sprightly. I am green.
I endure the push of each lobed leaf.
I carouse in the flush.
I take time to reach maturity.

I am the tree that holds the world.

I am the guardian and the gateway.
I come well equipped with elves.
I run in ants down many passageways.
I hollow out.
I don a skirt of armillaria.
I am mulch for the weevil and moth.
I am rot and I am canker.
I sink in the bog.
I am a sunk and empty vessel.
I am a coffin for your soul.
I am a boat to the eternal.

Oak and Feather Acorn

 

*Poem inspired by the gift of this acorn pendant from Lynda Ryder to the members of the Oak and Feather grove.

Birch Wood

Birch trees. Carr Wood

 

 

 

 

 

 

 

There was a land of ash with no future.
Out of the ice age they came, colonizers
Silver-black and delicately snake skinned,
Shedding white edged leaves on the ash-clad winds

And singing do you remember, remember
The ice age and peat and lost Vindolanda,
Sentinel cities and burying oaths
Enstyled on bright birch to placate the world?

And singing do you remember, remember
The strange black peal of the blacksmith’s hammer,
Street lights of amber and echoing roads,
Cities estranged by the gathering smoke?

And singing do you remember, remember
How empire fell that fatal November,
Civilized monuments crashing to dust,
Swaying white fields and the soft song of ghosts?

Silver-black and delicately snake skinned,
Shedding white edged leaves on the ash-clad winds
Out of the ice age they came, colonizers.
Their land was ash, with an unknown future.

Birch trees, Carr Wood

Forest

Faery Lane, May 2013

 

 

 

 

 

 

 

I.

A forest
holds a very small possibility
in the sigla of trees
and in a ruddock’s song.

Raindrops lace the ivy,
in a cinema of shade
fairytales catch hands
with desperate grace.

II.

For in my nightmare
the leaning yew fell down.
The door to Annwn closed,
although the wolves still howl.

The people were dead,
the gods were gone
and the ghosts no longer mourned
their shadowed passing.

III.

Yet the forest
kept alive the possibility
of hope emerging
from its bowers

like a white stag bounding
from Annwn’s mounds
with red-eared hounds
and antlered huntsmen.

IV.

Now we read
the sigla from the trees
and listen out
for a ruddock’s song.

In the cinema of ivy
our myths still dance
a forest of possibility
in a raindrop’s glance.

Faery Lane, May 2013

White Mare Waking

Cow Parseley, Greencroft ValleyGreen grows white tipped
cow parsleys a head high,
citadels of intrigue
to a wild cavorting eye.

Daisies peek. Curiosity paws.
Garlic stinks time bomb shards
expanding a quivering nostril.

In green freedom she rolls
turning sun over grass,
cloud over bough,
kicking her heels up.
Spring is here!

Shaking off the old,
treading invisible horse paths
of a lost long maned herd,
her restlessness ripples
through green tips and white flowers.

Lady of the Oak

I leave the shelter of the grove ducking beneath twisted hawthorn branches. The trees weave the entrance closed behind me. Rain hits my face, falling from a heaven of relentless grey. Reading the sky’s grimace I wonder what has been seen.

A crow caws his warning. Sprinting toward me up the hollow way I see a young man, legs a blur of blue white checkers and feet a splash of mud and leather. Hair slicked to his head, his dark eyes flicker with awe and wariness. The first dapples of a beard play across his chin like leafy shadows.

“M-my Lady of the Oak,” he stammers pulling up.

His breathless chest heaves beneath a sodden tunic. It is rare for youths to approach me without an elder. Looking more closely at my gnarled face his eyes widen in dawning horror. “Bad news travels from up river. A Man of the Oak wishes to speak with you.” He runs away in a flurry of muddy feet.

I follow down the hollow way heedless of the downpour weighing my cloak for the damp of the air already resides deep within my bones. Looking east, rain drenches the green hill, our sacred headland, and the greener barrow housing our ancestors. The torrent’s drumming beat strikes bubbles across the marsh land. As I walk onto the wooden pad way the reeds hiss like snakes. Decay bites my throat. The steely cast of the river of shining water reflects the glumness of the sky.

In a canoe roped to the jetty my cousin Drust sits hunched in his robes. I question what he is doing here, alone.

The river’s song answers. Her visions flood my mind. I see the battle at the ford of roaring water. Broken chariots, tribesmen slaughtered, the hero light vanishing from their eyes like fleeing stars. The eagle standard flies high, reflected in the crimson river. Seeing the pale flicker of their separating ghosts I speak a prayer for the souls doomed to return to a land where they no longer belong.

Sorrow chokes me like bile. I vomit it in anger at Drust, “what are you doing here, when your clan are dead?”

Drust looks up, yet his face remains hidden by his cowl. “I am taking the remnants of our traditions and our gods to the island across the sea.”

I laugh, a throaty brittle sound like twigs twisting and snapping. “Gods are not like saplings, to be taken away and re-rooted and traditions are not nurtured by foreign soils. It seems the ideas of the invaders have penetrated more deeply than I imagined.”

Drust tenses. Drawing my knife from its leather sheath I lean down and slice the rope tying his canoe to the jetty. The river sluices him west and out to sea.

The wind carries enemy voices. Reflected in the falling droplets I see swords and plumed helms. Slipping on the wood and slithering up the hollow way I reach the grove and beg the hawthorns for passage. A peace of ancient green breaks over me, like I’m sinking into a bed of moss. Beneath the canopy’s protective shadow I believe myself safe until tumult disturbs the roots. Crows caw, anticipating carrion.

I cross a sea of acorns and approach the grove’s mighty king. Putting my arms around his trunk, I press my face to the rough bark. “Brother Oak, let me see into the future.”

My heartbeat merges with the pulse of rising sap. My feet become roots reaching downward through damp soil to the outer edges of the grove. My arms stretch into branches and split, bearing bunches of lobed leaves nourished by the hidden sun, washed by the rain, flourishing green.

The ground shudders at the march of soldiers, galloping hooves and chariot wheels. Battle cries are hollered. Bows hum to the crash of metal. Screams and groans rock me. I taste blood and its bitterness fills me.

Earth and water shift as ditches are cut, fields plundered to feed the enemy. Ancestral ghosts clutch my twigs shrieking of their barrow torn down and a temple built to a foreign god. I moan at the ache of rot softening my flesh, bowing and creaking as my branches snap and innards hollow. I beg for lightning’s merciful release but there is no answer from the clouds of sorrow.

“Brother, let me return,” I speak. “The tribe need my support in their defeat.”

I ease back from the oak as the hawthorns scream and turn to see branches broken, shredded leaves and burst haws at the sandaled feet of a man dressed in a plumed helmet, iron breast plate and red woollen tunic. His eyes are blue, skin tanned by the sun of a hotter land. Brandishing a sword stained with blood and sap he accuses me of witchcraft, of sacrificing innocents to divine the future from their death throes.

I smile. The man freezes in horror. I draw my knife and mustering all my oaken might I drive it between the iron plates and slice open his stomach, spilling his guts upon the grass. Attempting to gather them in like rope he drops twitching and groaning to his knees.

I read the future of his people and their empire from his pulsing entrails.

Kneeling, I pick up a handful of blood soaked acorns and address my brother, “do not fear. Whilst tribes and empires rise and fall, the steady strength of oak will conquer all.”

Oak, St Mary's graveyard, Castle Hill

Slow Spring

Celandine by Fish House Brook

 

 

 

 

 

The ground is parched, flowers sparse,
celandine’s only growing
near the stream. There is no grass
on the green but still they’re mowing
the same old tortured track ways.

Someone killed a daffodil
and spread it’s butchered limbs across
the valley. The trees might not fight
back but the winds will undo
our Baconian mechanics.

I was told by an ancient god
this world met it’s end in 2012.
When no-one noticed he only
laughed a little bit- whilst worlds
are always changing people don’t.

* This poem was inspired by a line shared by Coll on the Druid Network Members’ site: ‘Genius is but a robin’s song at the beginning of a slow spring.’ – Kahlil Gibran

The Other Side

Looking beyond the embers of bridges glowing behind us
To a glimpse of how green it was on the other side
Steps taken forwards but sleepwalking back again
Dragged by the force of some inner tide
– Pink Floyd High Hopes

Glastonbury 2000

The world was ours, the moment all that mattered.
Our hopes were high in the mist of dawn.
We flung our friendship over the wildest horizons
riding rainbow lights and drums to distant haunts
that never satisfied the fire in our souls
nor the loneliness that lay its pall between us.
Strung out on stars, burning everything of value
we reached the ravaged borderlands and paused
so far gone even astronomers couldn’t find us.
Looking beyond the embers of bridges glowing behind us

they saw the stone circle and distant Tor,
the penumbra of a festival vanished to the night.
At last we staggered home lost and nearly blind,
dazzled by the sun we couldn’t find to tiny houses
with stiff front doors surrendering hope for certainty.
The return was hard, obeying the constant grind
of re-learning how to put one foot in front
of the other one. Re-mastering the system, unseeing
starry skies. Yet on the odd occasion reality elides
to a glimpse of how green it was on the other side.

I fought onward, eventually alone
as the division bell began to toll, making happy
families with freshly ironed clothes, polished homes
and forced smiles. From a dusty library I looked out
across the hills- a glimpse of green and beacon fire.
My feet trod through cotton grass to broken remains
of tribal ruins drawn by chants on the west wind.
The other side returned to life in the vestibules of trees.
I saw a river goddess wash her hair in the rain.
Steps taken forwards but sleepwalking back again

the fragments stayed broken, my vision incomplete.
Stunned by the Tor redrawing itself on the backdrop
of my mind I relit the embers on the Ribble’s bank
and recalled the last hint of paradise before everything
went black and time took our dreams away. Guided
by the voice of an otherworldy king I reclaimed my pride
at the Tor’s white spring. Time performed its circle,
gave back my starlit dream. The world is mine again.
To the other side and spiralling back I ride
dragged by the force of some inner tide.

Glastonbury Tor 2013

Porth Annwn

Porth-Annwfyn. Some numinous, arcane agnomen, but which to my dream cognition was livid as moonshine and did plainly signify: Gate of Elysium.’
– David Jones The Dream of Private Clitus

I.
Where is the door?
The shadowy portal exists
In the thickness of the veil
In the heart of mist
Where life divides
And fateful cataracts meet.
There are as many doors
As you have eyes that open.

II.
And who is the porter?
It is never who you thought it would be.
It is always who secretly you knew
From the world’s beginning.

III.
There are many doors
And I can speak of but a few.

Trees keep doors.
They are not in the front or back
But in the spiralling melt
Into arboreal existence.
This is the forest path.

Look into a river
To find yourself on the mirror side.
Remember to be returned
With the turning of the tide.

To reach the summer stars
Seek out a silver space ship.
Beware for Elysium’s bliss
Is more deadly than Annwn’s darkness.

Beside the door of death
A spectral hound sits.
He’s black or white-
Depends on the way
You’re looking.
He swallows whole souls.
The lucky ones hit the ground running.

Winter Ride

Preston

 

 

 

 

 

Fay bells chime. You ride a pale horse tonight.
My white mare pines for infinite horizons.

From this false security’s plastic peace
I breathe a prayer for ecstatic release.

Wrenched like tendons, reality is severed.
You open a snow storm, marvel and terror,

suburb stripped bare, hung trees and glittering ice,
a spectral host bathed in sweeping starlight.

Some people don’t see them. The rest run scared.
With my reckless steed I join the nightmare.

Our heart beats quicken to Annwn’s dread trance.
Street lamps flicker. Roofs slip into the distance.

Fairy lights and festive chants spread the county
from Blackpool Tower to Winter Hill, bright fountains

dissolve to torch parades. The present falters
revealing a past of village and bonfire,

chill chapped hands, hungry gatherings at cauldrons,
a labyrinth of padways mazed across Pilling

buried by snow fall, entombed beneath glaciers.
A cold unbearable sets in to kill.

And I fear I’m trapped in the Age of Ice
on the day of doom at the end of time

I cannot move my frozen mind. I scream
“Why? Winter King, bear me to these extremes?”

Your look commands; survey this fragile land,
ice crafting the mythos you toil to grasp,

reshaping the hills, renaming the towns,
creating the isle you know as Britain.

Wild laughter rings from the hollow landscape.
The fate of worlds tilts on a teetering brink.

I see your task, unruly guardian
of streaming vast ancestral tradition.

History rushes back and my course is clear,
My return to Penwortham swiftly steered,

shaking off snow, flexing my cold fingers,
I whisper thanks for your winter visions.