I chanted songs before the enchanter chanted this world into being from fire, air, earth, water, wind, mist, dew, from fruits, from an unknown frightful thing.
I know the chants that make corpses rot and bring the dead to life from the cold earth’s bones. I know the sleeping songs of stones.
My chants of transformation rival the formulae of mathematicians. I sing not numbers, sine, cosine, dark equations
but still I can launch an aeroplane or nuclear bomb. I can bring warplanes down from the skies and I can call a seedling to grow.
I make a mockery of all who claim to conquer the divinities of mountaintops and gyres with what you call my neanderthal tongue.
I am no songbird and I am certainly no homo sapiens. I know nothing of your guilt and depression, only the chants of Chanting Crow.
Several years ago I had a vision of the world becoming as a whirlpool from the source. ‘Green moving swards of vegetation, trees, people, marching through a labyrinthine kingdom back into the void carrying houses and entire civilisations.’ Sometimes people got stuck. With bird-headed ones they came knocking on the back of my head trying to shout through me. I was on Psylocybe mushrooms and alone at the time and didn’t dare let them.
The practice of a person allowing spirits to speak through them is found in many world religions from Voodoo to Evangelical Christianity. It was likely to have been an important component of pre-Christian Brythonic polytheistic religion and survived into the 12th century as recorded by Gerald of Wales.
Gerald writes of awenyddion ‘people inspired’. ‘When consulted upon any doubtful event, they roar out violently, are rendered beside themselves, and become, as it were, possessed by a spirit.’ Their speeches are ‘nugatory, ‘incoherent’, ‘ornamented’. When ‘roused from their ecstasy, as from a deep sleep’ they cannot ‘remember the replies they have given’. He conjectures: ‘perhaps they speak by the means of fanatic and ignorant spirits.’ (1)
Gerald’s words provide evidence for a Brythonic tradition of spiritwork in which there exist ‘soothsayers’, referred to as awenyddion, who are possessed by spirits by whom they speak in the metaphorical language of poetry.
I first came across the term ‘awen’ for ‘poetic inspiration’ in the Druid communities and saw myself as a bard before my patron God, Gwyn ap Nudd, initiated me as an awenydd. I have served Gwyn in this role for over ten years by journeying to Annwn to bring back inspiration for my communities.
I have prayed for awen and for the Gods and spirits to inspire and come into me when writing in a similar way to the ancient Greek poets calling on the Muses and to William Blake asking the Daughters of Beulah to come into his hand. (2) I’ve also experimented with trance singing, letting go, just letting any words and tune flow. But, until recently, I hadn’t dared speak the voices of spirits.
This changed after a conversation with a fellow member of the Monastery of Annwn, who told me of his calling to channel Gwyn. It reminded me of the bird-headed spirits, who’d come knocking, whose desire to speak I had denied. I felt the time to offer my voice had come and journeyed to them.
I saw them as crows flocking in the sky in the shape of infinity then crossed bones. Their home appeared as the floating skeleton of a great raven. I offered to gift them my voice and they gave me some instructions. They would stand behind me. Then I must open the door and loosen my tongue. I tried it whilst in the Otherworld and received a prophecy about a distant son of Don.
Several days later on their prompting I composed a song to enter the trance state:
Crows, crows, the Speaking Ones Y rhai sy’n siarad
Come, come from Annwfn Come, come your will be done
Crows, crows, the Speaking Ones Y rhai sy’n siarad
Come, come bring your words Come, come you will be heard
Crows, crows, the Speaking Ones Y rhai sy’n siarad
When I tried it the first time and asked who wanted to speak they told me they would take it in turns and each wanted me to make their words into an oracle. I did this by letting them speak out loud through me first then writing down what I could remember and putting it into more poetic form. (3)
On completion of the oracles I read them to the Speaking Ones and gained their approval. At first I wasn’t planning to make any of this work public but I was told they wanted their voices to be heard so I will be posting the oracles of these seven crow-guides over the course of the next week.
(1) https://awenydd.weebly.com/giraldus-cambrensis-and-the-awenyddion.html (2) ‘Daughters of Beulah! Muses who inspire the Poets Song… Of varied beauty, to delight the wanderer and repose His burning thirst & freezing hunger! Come into my hand By your mild power; descending down the Nerves of my right arm From out the Portals of my Brain, where by your ministry The Eternal Great Humanity Divine, planted his Paradise’ ~ William Blake, ‘Milton’ (3) As a note I don’t consider this to be full trance possession because, whilst working alone, I don’t dare let go of my conscious faculties fully. Also, for this particular work, I have been asked to record the words so need to be aware enough to remember them. During this process I’ve felt something other has come through, but that I’m not fully out of the way, and suspect my consciousness might have coloured some of the content.
The Sanctuary of Vindos 