I guess it was always going to happen. I couldn’t set it down for long. When I gave up my desire to be a professional author at the end of last year I let my King of Annwn Cycle series of books go with it. Since then I’ve felt like a part of me is missing and when I’ve been praying and meditating with Gwyn I’ve felt a yearning to have a full story of His life to meditate on and been filled with sadness at its absence. I’ve also had a niggling feeling that my promise to write ‘His book’ in my failed version was unfulfilled.
This feeling has grown and grown. Over the past couple of days I have found myself looking back at the old material and thinking in the earlier poetry and story fragments from the beginning and the poem from the end I still have something. It’s not going to be a fantasy-style novel to sell in the mainstream or an epic re-imagining of a Brythonic creation myth but a story of Gwyn’s birth and creation of His kingdom which might appeal to other Gwyn devotees and to followers of this blog.
When I asked Gwyn if He wanted me to return to it He said “Yes – it’s my gift.”
In these simple words I perceived a delightful reciprocity. It’s my gift from Him to gift back to Him. A gift from us to those who are open to receiving it. This reciprocal process of gifting forms the core of my devotional relationship with Gwyn and with my audience.
Gwyn also gave me a symbol to represent the King of Annwn Cycle – His golden ring with two serpents biting one another’s tails. This double ouroboros has meaning for me on many levels. Driving the cosmic cycle are the battles between the red and white serpents, between Gwyn and Gwythyr, and this also represents how patron and devotee, the Gods and humanity, feed upon and nourish one another.
In response to this and to other inspirations I have updated my Patreon tiers to reflect that I am able to give more and thus perhaps to ask for a little more in return.
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£1Fairy Ring
You will have access to a quarterly patron only online Q & A session and discussion on Annuvian / Faerie lore and exploring Annwn and building relationships with its Gods and spirits.
£2.50 News from Sister Patience
You will receive the aforementioned and my quarterly newsletter on the equinoxes and solstices in which I will share news about my life as a polytheist nun through the seasons.
£4 Visions from the Mist
You will receive the aforementioned and fortnightly patron only posts where I will share visions and experiences from journeys and spirit work which I will not be sharing in public.
£7 King of Annwn Cycle Excerpts
You will receive the aforementioned and monthly patron only excerpts from my King of Annwn Cycle.
£10 Winter Gifts
You will receive the aforementioned and winter gifts in the post at the Winter Solstice which will include illustrated poetry, drawings, and print outs of my best work.
£12 Annuvian Butterflies
You will receive the aforementioned and up to four 30 minute soul guidance sessions per year which can include divination and explorations of Annwn, its Deities, and the lore.
£15 Mythic Books
You will receive the aforementioned, free PDFs of my existing books on joining, your name in my future books and free print and digital copies when they are published.
I am a mystery with one end in Thisworld and one end in the Otherworld.
My tails lead down the long dark tunnels from light to darkness and for the lucky ones back out to the light of day again.
What is my origin? Was I born at midnight? From what union?
From what spell?
Oh what has the cauldron got to sing of my birth to those who see me as the guardian of the Gates of Hell?
This image of Dormach, the favourite hound of Gwyn ap Nudd, is based on an sketch of him drawn by a monk in The Black Book of Carmarthen in ‘The Conversation of Gwyn ap Nudd and Gwyddno Garanhir’. Here he is described as ‘sleek and fair’ and as having a red nose. This description is similar to the Hounds of Annwn in the First Branch of The Mabinogion who are ‘gleaming shining white’ with ‘red ears’.
It is unknown why Dormach is depicted with serpent’s tails. It is likely due to his Annuvian nature. Nudd/Nodens, the father of Gwyn, is associated with a battle between red and white dragons and there is a mural of sea serpents in his temple.
In my novel-in-progress, In the Deep, I reimagine how Dormach came to be ‘the Hound with the Serpent Tails’. This story and other exclusive excerpts are available to my patrons on Patreon HERE.
It’s the last day of March. It has been a week since the lockdown to contain coronavirus began in the UK. I wake at 4am, as has become my habit, and lie awake with my mind running through all the things I need to do and all the worries that it is useless to worry about and then I beat myself up for worrying about them. By 5.30am I’ve had enough and decide to get up and do something useful.
Breakfast, my morning prayers to my gods and the spirits of place, my daily too often failed attempt to sit and breathe and listen. Then I fire up my laptop, open Firefox, and click on the link to gmail. ‘This webpage is unavailable’. Agh. How the hell am I going to send my patron newsletters? Now my conservation internship has been cancelled until who knows when I have no route into paid work and my Patreon account is my only source of income. My heart’s racing and I can’t breathe as I check the modem (green lights on) and my network connection (fine) then turn the machine on and off.
Thankfully it starts working. I can breathe again. And now I’m looking back at my reaction. What the fuck? How, in the space of a few days, have I gone from being happy in a role that involves making positive changes out in nature alongside likeminded people – building a hibernaculum for newts, planting wildflowers, installing an outdoor classroom – to being completely dependent on something as ineffable and fallible as the internet not only for money but for a place in society?
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Over the past few days I have been reflecting on how much of my identity and reason for being have become bound up with this blog, which provides a platform for my voice as an awenydd in service to Gwyn and the gods and spirits of my landscape and my online communities, as well as for book sales.
Its small successes have partly been down to my use of social media platforms such as Facebook and Twitter. Over the past few years the former, in particular, has had a massively detrimental effect on my mental health. For me it’s the virtual equivalent of walking into a large, noisy crowd in a magical castle that has no walls but the multiplicity of glass screens that grant us access and contain us.
Attempting to find friends and acquaintances at some illusory fairy feast where the food looks its tastiest but cannot be touched and interacting only with their reflections in their best party gear. Like the speechless dead their mouths do not move and their facial expressions do not change one bit.
Yet words appear on the page and conversations take place, stuttering, dragging on for days, as people blink in and out of existence, moving between the worlds, like ghosts. Being able to flit in and out of the crowd, of groups, creates a perennial nosiness. It takes up an incredible amount of headspace trying to keep up, to find the right answers, to argue against points of disagreement, to read responses in the absence of real faces. When I get offline a part of me remains in the glass castle, a shadow of myself arguing with shades of my own imagining, exhausted, distracted, lost.
I recognise this. But it’s only when coronavirus hits and so many people are forced online for work and to communicate due to the social distancing rules I realise just how powerful the internet has become. To the point we can neither earn a living nor live without it. The web has made it possible for us to work and meet without travelling (which is also greener) and set up groups for mutual support. I admit these are very good things yet something within me is screaming a warning about the surrender of our power to the invisible rulers of the halls of the internet on their glass thrones.
I make the decision to leave Facebook. It’s hard. I know the costs. I will lose contact with people, I will miss events, I will be giving up opportunities for publicity. Less people will see my blog posts and buy my books. These are the teeth, like a monster of Annwn, it has sunk into me. These are the tendrils of dependency that the beast beneath the glass castle has coiled around me, extending from my virtual being to my well being in Thisworld. It hurts when I pull them off, although there is no blood.
I return to Peneverdant, to the green hill in this virtual space between Thisworld and Annwn. I look back at the times I’ve been lost in the ether of pointless arguments and at the good it’s done. Through it I’ve helped real people connect with real lands and real gods and put real books in their hands. But at the cost of the loss of a piece myself, the surrender of part of my identity, to the glass castle.
Looking forward, to the promised ‘when this is all over’, I realise, if I survive, I no longer want to be ruled by the web. I want to walk again amongst the people of Thisworld and Annwn. To put down firmer roots in my land and my community – I determine that I will carry on volunteering for the Wildlife Trust whether it leads to paid work or not and put my name on the waiting list for an allotment. I will continue my service of blogging here but I will not let it rule or define me.
I whistle to that lost piece of my soul and pray to my god, Gwyn ap Nudd, to guide it back to his glass castle in Annwn where our souls are reunited and the dance of the dead reconciles illusion and truth.
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Only once this process is complete do I feel ready to face the scary now this piece self-indulgently avoids. The escalating infections, the escalating deaths, of course relayed in figures and graphs by the internet. The rising numbers worldwide, across the UK, here in Lancashire. I see people are infected in Liverpool, Salford, Bolton, Wigan, Chorley, Blackpool, dying in the Royal Lancaster Infirmary.
That soon it will be here in South Ribble and Preston. That people will be fighting for their lives and dying in the Royal Preston Hospital, where the day centre has been allocated to coronavirus patients. I fear for my elderly parents, friends who are old or have health problems, know I’m not immune.
I’m asked to provide a pagan perspective on faith requirements in relation to excess deaths as a result of COVID-19 for the Lancashire Resilience Forum (Lancashire County Council’s emergency planning service). A small useful thing I can do. I revive my Microsoft laptop to attend a Skype meeting.
Right now there is no avoiding using the halls of the internet’s glass castle to bring about physical changes. All over the world fellowships are founded with people we may or may not see on the otherside. I walk these spaces more mindfully, my eyes on the goal, not allowing myself to get lost. I pray that one day some of us will meet on the green hills of Thisworld and, if not, on the hills of Annwn.