Solstice Sun Down from Preston Bus Station

Old sun sinks
into the bowels of the city
which holds me in its windows,
in panes of light golden as mead.

Dusk arrives in a purple cloak,
dresser of towers and spires,
not softening the concrete brutal curves
of this maligned iconic genius

whose rawness of might is like a clenched fist,
whose vulnerable underbelly knows the hope
of arrivals and vast pain of final departures,
busking, shrieks and the reek of piss.

Yellow and pink the city lights up,
etching its electronic dream on a moving backdrop;
the palimpsest of museums, mills and stadiums
that have fired our consciousness

and kept us small and discrete,
a match box car and two tiny figures
lost within a car park’s cosmic changes,
sole witnesses to its theophanies

until the arrival of the suicide watch.

Solstice SunsetView from Preston Bus Station

Englyns on Auroch Skulls

Auroch Skull, the Harris Museum

 

 

 

 

 

 

Staring from the museum
eye pits glare beneath fierce horns,
haunted wells of atrophy,
gazes flee their blind prisons

back to Taurean eras
of thunder down the river,
reeking ride of reddish hides
steaming wild to the water,

skidding sudden to a halt,
thick bones trembling, muscles taut,
bullish courage killed by fear
of men’s spears and swift assault.

Seeing skies alive with darts
herd wheels, swings and departs.
Knees buckle and hocks collapse
at the agony of barbs.

Most escape, some are slaughtered,
five stagger, tidal water
rises as they struggle and sink.
Its cold brink claims their corpses.

Tides turn. Sediments heap.
Silt and till on layered peat
bury bones in sunken sands,
erred, abandoned for centuries

until wrested from repose
five bovine skulls are disclosed
by dockland’s excavation,
shivering blind and exposed.

Breezes trace visages bared.
Tongueless trophies taste the air.
Denied thunder impaled rage
hangs displayed, an endless stare.

Skull songs lie trapped in the eyes.
Visions burst where times collide.
Bones cry for wind-swept stampede,
aurochs released to the wild.

Auroch Skulls, Harris Museum

 

 

 

 

 

 

* This poem is based on a simplified variation of Englyn Cyrch, which I learnt from Robin Herne’s Bard Song.