The Best Defence

“Laughter is the best defence against madness,”
from somewhere in my garden
my god decries.

The hyacinths
are at their most beautiful –
white, pink, red, blue, and I cannot tell
if they are laughing at us or with us.

The full moon has burst her sides
(reminding me of lysis – the bursting
of cell walls, expulsion and release
of viral progeny like a sneeze).

“This crisis is no longer a laughing matter
with its potential to bring a tear to our eyes,”

I reply whilst acknowledging it’s laughable
how a strand of RNA in a protein jacket
can cause such mayhem worldwide…

… panic buying… shelves depleted
of curly strands of pasta and the virulent
internet replicating and replicating our demise…

“Stand your ground in this garden and breathe
the fresh spring air, laugh well, laugh deep,”

my god’s voice rises from Annwn grounds me.

“I can save none from the tragedy and sadness
in which my realm and your realm are steeped but
laughter is the best defence against madness.”

Enchanting the Shadowlands Book Launch

Enchanting the Shadowlands Book CoverOn Wednesday 22nd April I held an evening of poetry, song and story to celebrate the launch of Enchanting the Shadowlands at Korova Arts Cafe in Preston. The night was very special for me because it marked the publication of my first book, the completion of a spiritual journey and brought together friends who have supported me since I took to writing poetry seriously in 2012.

Storyteller Peter Dillon was MC for the night. We opened with a joint performance of ‘The Bull of Conflict’ a glosa recording the moment when my patron god, Gwyn ap Nudd, gave me the imperative of ‘enchanting the shadowlands’.

Vincent Smith’s ‘Woodland Eulogy’ and reflections on early memories of a close friend made a poignant start to the first half. Mike Cracknell brought the house down with his hilarious poem about lovers with nothing in common except filthy habits. Martin Domleo performed poems tying in with my nature themed work including ‘Thor’s Cave’ and the experience of deceleration linking to his passion for motorbikes. Nina GeorgeSinger Nina George was the first headline act. She started with a haunting piece written by a friend. Her second song, she told us, demanded to be sung at the launch! She got everybody joining in with the chorus:

‘She said this is my church here where I stand
With my hands in the earth and my feet on the ground
She said this is my church here where I stand
With my heart in my mouth and my soul in the land.’

Nina finished with a song by Jodi Mitchell. At the end of the first half I performed poems exploring local history written in voices of the ancestors and spirits of the land. These included a reluctant resident of Penwortham Lake Village, a spinner in her cellar, the spirit of the aquifer beneath Castle Hill and Belisama, goddess of the Ribble. During the break we looked out at a pink-purple sunset against fairy-lit trees and the silhouette of St Walburge’s spire. Preston Sunset from KorovaI opened the second half with  ‘Slugless’ which was written when I had a spate of people confessing to me about their slug problems. All but one…. As we often bump into each other walking beside the Ribble, Terry Quinn performed poems about the river, one set at a crucial time when a campaign run successfully by Jane Brunning saved the area that is now Central Park from a huge development scheme. Dorothy mentioned she also had a slug scene in her novel ‘Shouting Back’. Her poems included the memorable ‘City Rats’.

Nina returned to perform a song about reclaiming Druidry and a controversial tongue-in-cheek ditty called ‘The Day the Nazi Died’ by Chumbawamba. Novelist Katharine Ann Angel read excerpts from ‘Being Forgotten’ and ‘The Froggitt Chain’ and spoke of her inspiration from people, particularly working with difficult teenagers.

Nicolas Guy WilliamsThe second headliner was poet Nicolas Guy Williams. He opened with ‘Ancient by thy Winters’ saying he thought it would be suit my launch as it contains howling: ‘Hear them HOWL! HEAR THEM HOWL! Once no forest was defenceless.’ He also performed ‘Woman of the Sap’ and ‘Oh ratchet walk and seek that scent’ one of my personal favourites based on the local legend of the Gabriel Ratchets.

I ended the second half with a piece dedicated to Gwyn on Nos Galan Gaeaf called ‘When You Hunt for Souls in the Winter Rain’ and poems Lorna Enchanting the Shadowlandsrecording a journey to Annwn (the Brythonic Otherworld) with horse and hound to an audience in his hall. As a finale I performed ‘No Rules’ which summarises my philosophy of life:

‘Break every boundary.
There are no rules.
Only truth and promises
Bind us in the boundless infinite.’

Afterward there was an open-mic where it was great to have Flora Martyr, who is missed as a host of Korova Poetry, back to perform. Following Nina’s protest songs John Dreaming the Hound Winstanley, who is involved with the Wigan Digger’s Festival, sung an old diggers song. I also opened some presents from the generous members of my grove. Nina gave me a bottle of wine (knows me too well!). Phil and Lynda Ryder gave me a book about Boudica, a warrior queen and ruler of the Iceni (horse) tribe, called ‘Dreaming the Hound’ with a wonderful bronze image of a howling hound on the cover.

When we left Korova the crescent moon was high in the sky with a bright and beautiful Venus above the fairy-lit trees. I felt the shadowlands had been enchanted. There is power in a promise… and in the support of friends without whom I wouldn’t have been able to see it through. I’d like end on a note of thanks to Peter as MC, everybody who performed and came to watch and to Sam for providing the venue. Moon, Venus and Fairy Trees

Invernith

My arrival is slow to wonder
initial disbelief
fading into silver-lined water
the mirror imprint
of Nith’s name a god in glass
becoming grey cloud
in the ether says
BELIEVE BELIEVE.

In the netherworld gloaming birds
shriek BELIEVE BELIEVE:
barnacle geese beat
black and white hearts against Crifell.
As the dark moon starts her slow pull
downward to Invernith
my fingers brush water
and touch a silver hand.

Invernith with Crifell

Half Moon and the Holly King

Half moon over Greencroft ValleyHalf bitten moon cries a waning scream.
Her severed pieces are brought by the stream
to the cavernous lair of the holly king
who grinds his axe on a sharpening stone
and prepares his block for the gore of heroes.

Silent and pensive he waits in his cave.
The moon arrives and his blood red eyes
are filled with silver swimming.
Outside the blackbirds sing
a song which knows no kenning.

The half formed moon describes her sorrows.
The king laments his lack of heroes-
vision waned and bravery gone.
Blackbirds sing their endless song
of an empty sky and bloodstained block…

then as hope elides a knight of dawn
approaches on a starless horse
with fire-lit eyes and maenad’s locks.
She boldly casts her gauntlet down
at the feet of the holly king.

The half formed moon departs from his arms.
He performs his task with an aura of calm.
The blackbirds watch in silence.
Then moon and lair are gone.
Dawn rides free, afraid, yet unharmed.

Holly, Greencroft Valley

Awenydd

I.
As the longest night looses
darkest claws I walk amongst shadows
at dawn where moonlight floods
through the arms of trees
and a solitary lamppost lights the vale.

Lamppost, Greencroft ValleyII.
River-trees stand stark and tall,
consistent in her mind’s
unravelling of currents and tides,
cormorants and gulls,
a ragged heron.

RibbleIII.
The host’s roar to a lullaby
quells as moon leads dawn
over chiming hills to be swallowed
by cloud as the hunt returns
to graveyard and mound.

Moon over Castle HillIV.
My lord of the fay
makes his presence known.
He speaks to the mist within my bones
like the lych gate unfastening,
awenydd– my magic word.

Lych gate, St Mary's ChurchV.
The spirit paths are mine
to walk for an evanescent pulse
of dawn. Time stands still
from vale to hill and the stream
sings: awenydd, awenydd.

Fish House Brook

Fairy Horse

Fairy horse fairy horse
Dancing on the brink
Of a cliff’s sharp edge
Above time’s dark sea.

Fairy horse fairy horse
Horned and winged
In a beam of bright moonlight
Her cold coat gleams.

Fairy horse fairy horse
With hooves of steel
Is quick to the hunt
And quicker to the kill.

Fairy horse fairy horse
Swift as poetry
And deadly as moonshine
Defies reality.

Fairy horse fairy horse
Eternally wick
Will never surrender
To a virgin’s tricks.

Fairy horse fairy horse
Will never be named.
She will never be caught.
She will never be tamed.

Faery Horse

Gwyn’s Feast

Welcome guest, make yourself at home,
My processions are coming home for autumn.
There is no lack of wood upon the hearth,
The hounds are calm, the horses fed and watered.
Put knife to meat, drink your share from the horn,
There is endless plenty in my cauldron.
Join and dream to the songs of my bards,
They play a magic from the world’s beginning.
Beneath the Faery moon and Annwn’s stars
All things are sung back to wonder.
Welcome guest, make yourself at home,
My processions are coming home for autumn.

*The original manuscript ‘Gwyn ap Nudd and St Collen’ (1536) relating Gwyn’s feast on Glastonbury Tor can be found here:  http://www.maryjones.us/ctexts/collen.html It’s possible it took place on Michaelmas day, September 29th, which marks the last day of summer and beginning of Autumn.

Peneverdant, A Lunar Cycle

I. Dark Moon

On a dark moon
the lady in the ivy
winds down the dark hill
and the falling graves.

All memory
is sliding into darkness,
the river’s tides
her open mouth.

She is waiting
for the return
of her tribe
on their oaken boats.

The moon is dark
over the river-
an eye, a maelstrom
between the worlds.

The fleet are ready,
the church is empty,
graves as hollow
as the old green hill.

She will be waiting
in the ivy
for the return
of her tribe
on their oaken boats.

II. New Moon

All is darkness
but the splash of the tide,
the wing of an owl.

Lady Ivy
recounts her losses
on the hill
and the bank
where the hangman
wore his cowl.

They are waiting
in the maelstrom eye
of the new moon-
the river’s entryway
to living day
and deep Annwn.

They are waiting,
her hidden tribe
on their oaken boats
in a slit of light,
an opening moonbeam
to row through
the night
to the old green hill.

III. Moon First Quarter

There is wisdom
in the eyes of an owl-
a demand,
a categorical imperative.

Behind cumulonimbus clouds
secretly moon’s orb
is swelling.

They row.
History is written
in their woad-
gods and goddesses,
an oak king,
the lakes and water courses
of their oaken fleet,
the moon’s eye
in the shining river
and all the laws of the deep.

IV. Full Moon

The moon is full
behind the clouds.
She casts no light
on the empty boats,
the processional route
around the old green hill,
the moving river of woad.

Lantern bearers
pass the old iron rails,
the gloomy gathering of graves
to assemble on the mound,
igniting the beacon fire.

By the wing of an owl
the clouds are moved.
The moon looks down,
victorious.

They salute her orb
in the shining river,
the gods of the hill
and the deep.

On this night
of opened graves
anything is possible
in the light of the beacon fire
before the lambent eye of the moon.

V. Moon Last Quarter

Night has fallen
from the moon’s closing eye.

The owl has flown
to the hunt.

The fire gone cold
with the lanterns’ glow
is eclipsed by street lamps
and brake lights.

The by-pass roars
by the old green hill.
The river is concreted
back in her new course.

Lady Ivy
winds down
the hill and the graves.
She waits
for the tribe to row
to the river-moon
on their oaken boats,
to her maelstrom-eye
between the worlds.

The King of Faery

In woodland damp, a shady dark divine
On aged slope the creeping ivy climbs.
Caressing thorn and dressing ash with vine
A poison maid spreading her locks sublime
Drapes kingdom fair with wanton waxen shine.
The deep earth’s lawless vagabond of joy
Cords heart shaped leaf where eldritch magic lives,
Ascends, protects the glamorous abode
Of fair folk ancient as the darkness of the wood.

Rooted fast at the foot of hallowed hill
In somber silence stands a leaning yew
Ghosts and needles shadowing its boughs
Whispers hanging sorrowful and true,
Of pageant stately passing at full moon.
Yew tree hides the underworld’s feared gateway
Beneath the haunted watching of its roots.
The wise and dead or reckless seek entry
Imploring the illustrious King of Faery.

~

His spectral shine shimmers white as moonlight
His hair floats fair about his phantom limbs
His warrior attire is black as night.
The eyes of the hunter of souls are grim
As the howl of his hounds on Annwn’s winds.
His dread black steed is a beast of the marsh
Dripping like the sea, his whinnying swims
Like a wetland dobbie bridging the worlds
And hurtling his way across the oak covered swamp.

The King’s pale face is black with wrath
For an eldritch dream killed by disbelief.
Souls who crossed to Annwn to be reborn
Stagnate in the gloom of apathy’s reign.
Through a mist of twilight doomed rides the King.
He travels the path of the Ribble’s old course
From the heart of the hill the death knell rings.
Decked in somber garments the fair folk march
Calling souls to the underworld with funeral spells.