On Money and Fear


“Stop thinking about money!”
~ the voice of my God

I.
I am the blindfolded woman
and two arrows have pierced my heart
in spite of my charms and incantations against love.

I have been wrapped up in my own heartbreak leaving me blind.

I have been trying to weigh inspiration against money,
a feather against gold – one heavy one light.

I have been a slave to what is bled
from rocks over millenia at such toil and cost,
ignoring what is easily shed, fletched, lifted by a breath.

You are the archer and as always Your arrows strike true.

II.
What is it I fear? Hunger? Having no home?

I do not think I could sit and beg but would rather walk,
homeless, foodless, until I could walk no longer,
lie down and die, be back with You.

III.
When I think of my worst fear it is fear of madness –

I am looking into a round tunnel without a train
but just a whistling train track
rushing through it,

the dance of limbs
on the platforms belonging
to no-one, not to people, to robots, or to spirits.

That the whole journey of life is nothing but meaninglessness.

IV.
I think of my longstanding fear of falling apart.

I recall my vision of a knight riding forth,
the plates of his armour rusting,
his flesh starting to decay,
falling from his limbs,

the skeletal man
falling from his skeletal horse

but his horse going on to where the bones
of all horses crumble and the dust of dead horses
is borne on the winds to where You ride Lord of Annwn.

You taste the wind, lick Your forefinger, another failed quest.

Your hounds prowl and sniff at the dust and Your pale horse rolls in it.

IV.
Yet I have chosen to collect feathers not gold
for the birds are giving and we are nothing but birds
who are learning how to fly and to empty out our pockets.

I want to be light, my lord, to depart from lands where scales exist.

To where we no longer need to weigh, measure, measure up.
To where You tear my blindfold off and show me
the truths that lie in my unbroken heart.

Gwyn Portrait, April’s End

The huntsman has ridden all night, following the brilliance of the spirit roads- the shining tracks that criss-cross the island of Britain. Instead of returning home he remains here for dawn, listening to the idiosyncrasies of each bird’s song, watching dew form on blades of grass, on petals of hawthorn blossoms and may flowers.

He is and is not the mist, riding through damp meadows over hills, mountains and moors on a pale horse accompanied by a hound of the same complexion. He is and is not each sun-lit cloud he travels with, the touch and whisper of the wind.

He cannot stay here long, for this world we see as the land of the living is not his. He must return home to Annwn, the Otherworld, to prepare for a battle that cannot be won. To fight for a maiden he shouldn’t have loved, shouldn’t still love… in bluebells and forget-me-nots, emerging greens and white and yellow flowers he sees her colours.

For a moment he is possessed by memories of their passion, and the crimes it drove him to. A glimpse of his blacked face in a reed strewn pool shows no amount of war paint can mask his guilt, which he must live with for as long as there are people to sing his songs.

He searches for a sign. What is Judgement Day? When is it? Although he knows the language of the trees and plants, the tracks of every wild creature and the flight of birds, these questions are beyond his power to divine. When the worlds end, will Creiddylad and I be together again?

May Flower, Penwortham