What is Brythonic Polytheism?

This is an article for those who are new to this website explaining what Brythonic polytheism is and its significance for me as someone living in present-day Lancashire.

Brythonic polytheism is the worship of one more of the many Gods venerated by the Brythonic peoples who inhabited most of Britain from around 4000 BCE to around 800 CE. During the Anglo-Saxon invasions, the Brythonic culture and language were replaced by English in what is now England, but continued to live on in Wales.

There are various sources of evidence attesting the veneration of the Brythonic Gods. The first is archaeological and includes Romano-British temples, shrines, inscriptions, statues and altars. The second is place names (such as Luguvalium which means ‘Strong in Lugus’). The third is Roman records. Although the Roman writers don’t say anything about the Brythonic Gods they do speak about how the Gallo-Brythonic Deities were worshipped in Gaul. The fourth is medieval Welsh literature and later folklore. Herein we find the myths of the Brythonic Deities rewritten by Christian scribes and traditions of interactions with the spirits of the Brythonic Otherworld (Annwn ‘Very Deep’ or Faery) recorded by folklorists. 

During the post-Roman period northern Britain and southern Scotland were known as Yr Hen Ogledd ‘the Old North’. In medieval Welsh literature there are numerous poems documenting the fall of the Old North to the Anglo-Saxons and recording the lore associated with it.

Early on my path to Brythonic polytheism I was called to look to the evidence for the veneration of the Brythonic Gods and spirits in my local area and to construct a practice based around it. I first found out that the Goddess of my local river, the Ribble, is Belisama, as evidenced by Ptolemy’s Geography, which labels the estuary Belisama aest. I discovered that there are altars to Matrona ‘the Mother’ and Maponos ‘the Son’ at Ribchester and to the Mothers at Lund, that Brigantia was worshipped in the Pennines and that two Romano-British statuettes dedicated to Nodens (as Mars-Nodontis) were discovered on Cockersand Moss. I began praying to and making offerings to these Deities and writing poetry for Them. I made contact and established relationships. Vindos / Gwyn ap Nudd (the son of Nodens / Nudd) appeared to me at a local fairy site in an intense theophany that led to me devoting myself to Him as my patron God. I also built relationships with the spirits of my house, garden and local valley.

I was initially surpised by Gwyn’s appearance even though the site mentioned is associated with a local fairy funeral legend. I didn’t realise He, the a Brythonic King of Annwn / Faery, was the fairy leader. It made further sense in relation to the statuettes dedicated to His father and to the place name Netholme (Nudd’s islet) near Martin Mere. Then, even more, when I read ‘the Conversation of Gwyn ap Nudd and Gwyddno Garanhir’ and discovered that Gwyn gathered the souls of several famous northern warriors and Culhwch and Olwen wherein Gwyn appears in two episodes (the Battle for Creiddylad and the Very Black Witch) that take place in the North.

Having a relationship with Gwyn and other Brythonic Gods rooted in the myths and lore of the Lancashire landscape and more widely of the Old North is significant to me for a number of reasons. These relationships are valuable in themselves as a source of companionship, joy, wonder and awe which moves my soul on the deepest of levels. They are also of value because they offer an alternative way of being rooted in connection with the land and local tales in opposition to the monoculture of modern technocratic capitalist society. The inspiration and guidance of these Gods and spirits provides meaning and purpose beyond the norms and rules that have led to our exploitation of the earth and both non-humans and other humans. Simply taking time out to pray, meditate, journey or create art is an act of resistance to productivity and constant screen time, as is walking, gardening and working on the land in communion with the spirits.

In Gwyn’s mythos I found a different seasonal cycle to work with – Calan Mai (Gwyn and Gwythyr’s Battle for Creiddylad), 29th Sept Gwyn’s Feast, Nos Galan Gaeaf (Gwyn’s Hunt) – as an alternative to celebrating the commercial festivals and the Wiccan / Druidic Wheel of the Year.

I’ve been a Brythonic polytheist for over thirteen years. My path has shifted and changed from being a performing poet and conference speaker, to working in conservation, to experimenting with monasticism, to my current shamanic work. Throughout, my constants have been devotion to Gwyn, creativity and having a shamanic practice and these remain my lifelines in a changing catastrophic world.